Hyderabad sits nestled amongst one of the oldest rock systems of the world. These granite rocks are 2500 million years old. Rain, sun and wind have for aeons, through their collective and continuous physical and chemical actions, worked them into weird shapes. Some appear perched upon each other so precariously that you feel some giant-children playing at house making must have kept them there. From times immemorial they have stayed like that without tumbling down. They will remain like that long after we are gone.
Golconda Fort was once a mere hillock, a hump of a giant camel, a mass of scattered misshapen granite. It was sheer wilderness. There cow and goatherds used to graze cattle and sheep belonging to the nearby villages. It was so popular with graziers that it took the name of 'hillock of the graziers' - Golla Konda in Telugu, the local language. Golla Konda later on became 'Golconda'. Hyderabad is the daughter of Golconda Fort which stands in ruins now, eight kilometres away from the centre of the city. The fort was built about a thousand years ago, during the Kakatiya rule (AD 1000 - 1321) which had its capital at Warangal - a city about 150 kilometres to the north of Hyderabad.
Rudramba Devi, queen of the Kakatiya dynasty, ruled for 34 years from AD 1262 to 1296. She withstood the combined attacks of the Pandyas, the Yadavas and the Hoysalas with the help of her grandson, Prataparudradeva who succeeded her (AD 1296 - 1323).
He too was an illustrious ruler but was subjected to repeated attacks by the Sultans of Delhi: there were five during the two decades after AD 1303. Finally, he was defeated by Ulugh Khan, imprisoned and taken prisoner to Delhi. On the way he committed suicide. Ulugh Khan later became the Sultan of Hindustan, and is known as Mohammad Tughlaq. Since his empire had extended to the south, Delhi was no longer the centre of political gravity. He, therefore, ordered that the capital of India be shifted from Delhi to Daulatabad. For two decades this city remained the capital of India.
About Rudramba Devi, we learn that :
(a)She belonged to the Kakatiya dynasty.
(b)The Pandyas and the Yadavas attacked her one after another.
(c)Her grandson helped the Hoysalas.
(d)Prataparudra defeated her and became king.
1)Only a✓ Correct
2)Only a and b
3)Only a, b and c
4)All four
The passage directly supports that Rudramba Devi belonged to the Kakatiya dynasty, while other details regarding specific attacks or subsequent rulers are either not verified in full or require selective extraction.
Read the following passage and answer the questions from 26 to 30:
[Note: this is a paraphrased summary of the original passage, not a verbatim reproduction, since the source is an excerpt from a specific published memoir.]
The narrator, APJ Abdul Kalam, recalls a colleague named Arun Tiwari, who had worked in his laboratory since 1982. Their bond deepened in February 1987, when Kalam visited Tiwari in a coronary care unit in Hyderabad, where Tiwari was recovering from a serious heart-related illness. Tiwari asked only for Kalam's blessing, hoping to live long enough to complete one of his projects. He recovered within a month and went on to play a key role in completing the airframe of the Akash missile, a task finished in three years. Afterward, Tiwari spent a year turning Kalam's own recollections into a connected narrative, eventually helping write Kalam's autobiography, weaving in pieces of poetry Kalam had marked in his personal reading over the years. Kalam frames the resulting book as more than a personal memoir -- as an account of Indian science's broader struggle to become self-reliant. He closes by describing himself as a believer who sees his scientific achievements, and the people who helped him along the way, as expressions of a higher purpose rather than his own doing alone.
वरील उताऱ्याचे लेखक ____________ आहेत. / The author of the above passage is
1)अशोक तिवारी / Ashok Tiwari
2)ओळखता येत नाहीत / Cannot be recognised
3)ए.पी.जे. अब्दुल कलाम / APJ Abdul Kalam✓ Correct
4)हैद्राबादमधील एक डॉक्टर / A doctor in Hyderabad
The passage regarding APJ Abdul Kalam and his biographical details highlights A.P.J. Abdul Kalam as the central figure/author contextually associated with the work.